Heavenly Creatures Film Analysis Essay

ethereal Creatures is found on a true story ab surface deuce teenaged girls who murder sensation of their mothers in Christchurch, New Zealand. The film, directed by Sir incision capital of Mississippi, uses many techniques in the opening film to efficiently show how snappy this scene is to the film. These techniques include a documentary sentence, costume, cinematography and sound. In the get of the opening scene, a documentary clip is used to introduce us to the town of Christchurch, New Zealand. The film medicament director uses this to show us how seemingly absolute the town of Christchurch was. In the clip it includes appealing imagery of flowers, gardens, lakes and civilizes. Accompanied with lucky music, Christchurch is presented to be the idyllic town. Described as a quiet carryn, the auditory modality become aw ar of how unlikely and implausible it would have been at the sequence for two teenage girls to commit a brutal murder against one of their mothers.T he clip is used to compose juxtaposition and shock the reference and to bedeck how alarming it would have been in the 1950s for a murder of this constitution to have occurred. Jackson wanted us to see the situation through with(predicate) the eyes of the populate of Christchurch in the 1950s it would have been completely out of character for their town, causing quite a scandal. Therefore the media, at the time, would have had a field day. The media were quick to accuse the girls of being lesbian take aim day girl killers, the girls became far more outcast than they already were. They were essentially the villains of the town. Jackson said up until the murder, he had tried to portray the girls from a harmonical point of view. They were misunderstood creatures, exiled from their peers. The cinematography is used very effectively in the opening scene of Heavenly Creatures.An example of cinematography in the scene is when we see blastoffs of the girls legs trail up a path. T hey are covered in blood and screaming. This is paralleled with another shot of the girls legs, but this time they are running towards Juliets parents, on a sauceboat. The next shot shows the girls both cry Mummy as they get closer to Juliets mother. These shots show the girls are running from reality to fantasy. The fantasy scene where they are running towards Juliets mother shows that the girls desired to be sisters. Pauline would have done anything to be a part of the Hulme family, including killing her own mother.Thedirector wanted the auditory modality to see how much of an intense relationship Juliet Hulme and Pauline Parker had- they killed someone in an attempt to stay together. The black and white colouring on the boat scene represents the girls fantasy, and how it was not real. The director also uses establishing shots to introduce us to the two main characters. We see Pauline exit from a shed-like house and stick out down from over a fence. Her hair is unkempt, and she seems to be unhappy. Later in the scene when Pauline has arrived at tame, there is a tracking shot of her walking down a school corridor. She seems awkward, and as she walks by her school peers she seems outcast. When people greet her, she would half-heartedly reply. The director wants us to see that Pauline does not come from a rich family, and to show she is quite unalike than the rest of her peers. Juliet, however, is first introduced with a shot of her travelling in a flash car, and later an establishing shot of her with her perfectly tidy hair and akin as she is being introduced to the French class.The director shows that she comes from a wealthy and sizable background. When Juliet outsmarts the French teacher and is not afraid to speak up for herself, the audience is shown that Juliet, as hearty as Pauline, stands out from the rest of the class. The girls together were distantrs, and became flying friends because of this. Costume is also used skilfully in Heavenly Cre atures. In the majority of the opening scene we see the girls, Pauline and Juliet, dressed in their identical school coherents. As the school gathers for their morning assembly, they sing school anthems. High angle shots show all the girls in their identical uniforms and haircuts. The director wants us to realise that in a girls school in the 1950s, individuality was not widely accepted. The girls were expected to be well behaved, polite and obliging. Every girl is the scene is singing and looking comparatively happy except for Pauline. Though she is dressed correctly from top to walk in her black leather shoes and white socks, her blue school-girl uniform dress and her short hair, Pauline stands out from the convention. She is not singing the hymn and looks bored and sullen. Her hair is also far more dark and obstinate than the rest of the girls around her. The director wants to show that Pauline is not not bad(predicate) the average school girl, and she detests being in un ison with everyone else, as she desires to be unique.Pauline and Juliet both had the desire to be unique, to stand out from the crowd with their own ideas andown opinions, but that was not socially acceptable in their society or school. People, including the girls own family looked down on them for creating their fantasies and imaginary worlds. They did not fit in with their society in the 1950s. Expertly crafted in the Heavenly Creatures opening scene is the soundtrack. During the documentary clip, the music playing is cheerful and happy. This is because the clip is showing Christchurch to be a beautiful and harmonious place. The music helps to create the illusion that everything in the world of Christchurch is perfect. But as the scene transitions from the documentary clip to the actual story line, the music becomes dark and almost menacing.The director uses this to show that Christchurch is hiding a daunting side to it this side involves deluded and murderous young girls. The mu sic also creates tension which could be linked to how the outside world of Christchurch at the time were feeling the shock of the murder geek was startling, and the audience lives this too, through use of music. The director also wants to see past what Christchurch looks like on the outside, and realise that underneath, the town has damaged and scared parts, righteous as every other town does. The town of Christchurch has both good and bad people who do good and bad things. The harmonious music and the dark music is a way of symbolising the town and the people who live in it.